myNoise

https://mynoise.net/NoiseMachines/campingRainNoiseGenerator.php

这个在线的白噪音库非常的精美，所有的文字包括建站的初心，制造每一台噪音机的方法，每台噪音机精心的调制和有趣的设置，让简单的噪声可以成为很多情感和情绪的依附。

每一台噪音机↑  文案↑ 有趣设置↑ 用户情感叠加↑

摘录一些这个网站作者写的让我很喜欢的话

网站初心：

The idea behind myNoise is to use the noise you most enjoy to make the noises you don't want to hear: chatty colleagues, your tinnitus, or even your inner voice when you can't shut it down!

myNoise背后的想法是使用你最喜欢的噪音来掩盖你不想听到的声音：健谈的同事，你的耳鸣，甚至你不能把它关闭的内心声音！

每台噪音机的制造：

CaveEach generator takes a considerable amount of time and effort before going online. It starts with finding the right source material, which often means planning my own recording sessions. When recording the real source is not an option (e.g. the propellers of a B-17 bomber), I need time to think about workarounds and try them out. Looking for sounds available in the public domain is possible, but often, sound quality is an issue. Licensing sounds represents the last option, but at a cost. Often, recording my own tracks offers the highest flexibility and audio quality. Plus, I simply love recording my own sounds!

每台发电机在上线前都需要花费大量的时间和精力。它首先找到正确的源材料，这通常意味着计划我自己的录制会话。当记录真实来源不是一个选项（例如B-17轰炸机的螺旋桨）时，我需要时间考虑解决方法并尝试它们。寻找公共领域中可用的声音是可能的，但通常，声音质量是一个问题。许可声音是最后一种选择，但需要付出代价。通常，录制我自己的曲目可提供最高的灵活性和音频质量。另外，我只是喜欢录制我自己的声音！

Spring Once the sounds have been found, all this raw material needs to be carefully reviewed, trimmed, edited and processed: background noise is often an issue (sounds a bit ironic for a site like myNoise, doesn't it?). Only then, can I split the audio into separate tracks, and build a first prototype. At this stage, it's a discovery: hours have been spent refining the individual tracks, and now I can hear them as a whole. It is often disappointing, because it sounds only as the sum of individual tracks. Then starts a long back-and-forth procedure, working on the individual tracks again, and loading them all into the prototype, until the alchemy finally works: the soundscape transcends the sum of its parts. Although the sound itself is made from many layers, it suddenly behaves as one single, almost living, sonic entity. However, sometimes, the whole generator gets trashed half-way, out of discouragement.

弹簧一旦找到声音，所有这些原材料都需要仔细检查，修剪，编辑和处理：背景噪音通常是一个问题（对于像myNoise这样的网站来说听起来有点讽刺，不是吗？）。只有这样，我才能将音频分成单独的轨道，并构建第一个原型。在这个阶段，这是一个发现：花费了几个小时精炼各个曲目，现在我可以听到它们作为一个整体。这通常令人失望，因为它听起来只是个别曲目的总和。然后开始一个漫长的来回程序，再次处理各个轨道，然后将它们全部加载到原型中，直到炼金术最终起作用：声音景观超越了其各部分的总和。虽然声音本身是由多层组成的，但它突然表现为一个单独的，几乎生活的声音实体。

When the results are worth keeping, I am not there yet: each track is .mp3 (and .ogg) encoded by ear, in order to guarantee the best sonic results with the lowest bandwidth (think about the costs at my provider’s side, and the loading times at yours). I need to work on the introductory text - which takes quite a bit of time as I am not a native English speaker - and while it's being proofread by a professional service, I can work on designing the presets in the meanwhile. Oh, and I forgot the most important thing: I can spend a couple of hours just finding the right background image, for each generator, an inspiring image that needs to be cleared for online publication, too!

但是，有时当结果值得保留时，我还没有：每个音轨都是由耳朵编码的.mp3（和.ogg），以保证最低带宽的最佳声音效果（想想我提供商那边的成本，以及加载时间在你的）。我需要处理介绍性文本 - 这需要相当多的时间，因为我不是英语母语人士 - 虽然它是由专业服务校对，但我可以同时设计预设。哦，我忘记了最重要的事情：我可以花几个小时为每台发电机寻找合适的背景图片，这也是一个需要在网上发布的灵感图像！