李泽然同学今年12岁，在2020年2月份和4月份期间，他独立出色的完成了中国故宫建筑群的作品绘画以及作品绘画的总结。（以下以李泽然第一人称的方式进行作品总结分享）
Jacky Li is 12 years old. In February and April 2020, he independently and excellently completed the painting and summary of the works of the Chinese Forbidden City.(the following works are summarized and shared in the way of Jacky)
First Painting: Wall of Palace Museum
This was the first of the paintings that I drew in the extensive Palace Museum Project, and, although it wasn’t the most detailed of pieces, or the most difficult of pieces, it was the first of its kind that I drew. This particular piece focused mainly on the wall, however, the wall was portrayed through an entryway that was completely black, in order to further accentuate the vibrant colors of the wall itself. In order to correctly display this, I had to create a sort of outline along the edges of the entryway. What I did may not have been perfect, however, considering that this was my first time attempting painting in such a style, I’m pretty satisfied with myself.
第一幅画：故宫的墙
这是我在广泛的故宫博物院项目中开始画的第一幅画，这幅作品这不是最详细，也不是最困难的作品。这幅作品的特别之处主要集中在门上，为了进一步突出墙壁本身的鲜艳色彩，墙壁被描绘成一个完全黑色的入口，形成颜色和墙面空间延伸对比。为了正确地表达这个绘画效果，我用了一条金色的线在边延部分作为区分。这是我第一次尝试这种风格的绘画，我很满意。
Second Painting: Roof （1）of Palace Museum
To me, personally, this piece was a great accomplishment. One of the aspects I love about Chinese painting is the colors, and all the shades you can make out of them. Another aspect I love about Chinese painting is nearing the end of a project, and getting to paint the backdrop.The backdrop is just so beautiful, and I’m so happy whenever I get to paint it. As seen, this painting is the two of these combined, and I am so proud of my execution of both. Not to brag,but this painting is definitely one of my best. To fully bring out the colors in the backdrop, I decided that the part that was architecture, the roof, would only be an outline. The rest of it would then be colored completely black. After that, I went completely wild with the color, first adding blue, purple, and reddish purple. This was originally supposed be nighttime, however, Ms. Gong and I both thought it was too dark, taking in the fact that the roof was black. Therefore, I decided to add orange, yellow, pale red, and touches of white. The final result was the roof of the Palace Museum set against a brilliant sunset, and to be honest, I don’t think I could have done anything better with this piece.
第二幅画：故宫的屋顶（1）
对我个人来说，这是一个很棒的完成成果。我喜欢中国画的一个重要方面就是可以用丰富的颜色，可以用它们画出所有的色调。这幅画的屋檐是一个逆光的拍摄角度，重要的部分是背景的颜色表达，我很高兴能表达出来背景天空的丰富色彩。为了充分展现背景的色彩，拉大对比的效果，建筑的部分以及屋顶，只是一个轮廓的浓墨。在绘画完建筑主体之后，我选用了多种颜色去绘画天空，首先添加蓝色，紫色和红紫色。作品要表达的是夕阳西下的感觉，但我和龚老师都觉得颜色不够亮，无法和建筑形成更加和谐的的对比。因此，我需要添加更多的亮色，如橙色、黄色、淡红色和白色。最后的结果是故宫的屋顶在灿烂的夕阳映衬下，显得如此特别。
Third Painting: Roof (2) of Palace Museum
After painting one piece of the roof of the Palace Museum, I decided to paint another piece, however, this piece had to be the exact opposite of the last one. This means that the roof was colored and shown in great detail, while the backdrop was just plain white. The colors on the roof were very symbolic, for the Palace Museum was a building of great importance. Therefore, all the colors were symbols of wealth and high status. Examples are peacock blue, gold, yellow, emerald green, ruby red, and many more. Of course, in this painting, there weren’t all that many colors, however, the whole building was extravagantly lathered in these colors. As a counterpart to my previous roof painting, these two paired together look fantastic, and I think this was a job well done.
第三幅画：故宫的屋顶（2）
在绘画完故宫的屋顶后，我决定在绘画一个相同的主题。然而，这一幅角度的选择与上一幅完全相反。这幅要表达的是屋顶的漆画色彩和丰富的雕刻细节，而背景则是纯白色的，屋顶的颜色很有象征意义，因为故宫是中国一座非常重要和代表性的建筑物。颜色的华丽和建筑的奢华都是皇权和地位的象征，例如孔雀蓝、金、黄、翡翠绿、红宝石红等等。和我之前屋顶绘画的一个同组作品，这两幅画放在一起是一个非常好的对比。
Fourth painting: Corner（1）of Palace Museum
building of Palace Museum Out of all the paintings I completed, this piece is probably my favorite. As with the first and second piece, I tried a technique I never had before, which was drawing reflections in the water. I feel as if the reflection was done perfectly, and the effect it had on the overall painting was stunning. However, this wasn’t the only part I loved about this painting. A fact about myself: I am an absolute craze when it comes to detail, and I pay very intense attention when it comes to architectural details. The corner building, which was the main architectural piece, I spent a painstakingly long time in, and I think it was worthwhile, every second of it. For starters, the building is perfectly symmetrical, which is very hard to execute, and the scale of it compared to all the other parts of the painting fit perfectly. The touches of gold along the outline add to the intricacy of the piece, as does the brilliant backdrop. Overall, this painting was absolutely fabulous, and I could not have been happier with it.
第四幅画：故宫的角楼(一)
在我完成的所有画中，这幅是我最喜欢的。本幅作品，我尝试了一种以前从未有过的技巧-水面的倒影。我觉的倒影画的很好，对整个画的影响令人震惊。关于我自己：在细节方面我绝对是个狂热的人，我会全神贯注涉及到建筑细节并被之深深吸引。拐角处的建筑是主要的建筑，我在里面花了很长时间，我非常享受我绘画中的每一秒。这座建筑挑战的部分是完全对称的，轮廓上金光闪闪的点睛之笔，灿烂的背景和湖面中的倒影，让这幅作品表达很完整。
Fifth painting: Corner building (2) of Palace Museum
This was one of the two paintings that I drew on the rectangular boards, and they are the main two pieces of this Palace Museum project. This project was mainly focused on the corner building itself, instead of the heavy sceneric view presented by the other piece. For my part, I feel like I did pretty well, though it wasn’t my best performance by any means. However, the piece played the part that it needed, and the backdrop of light and dark blue was pretty nice, a color I haven’t used for that purpose in a while.
第五幅画：故宫的角楼（二）
故宫角楼的第二幅作品，这幅画主要集中在角楼建筑本身。我花了主要的时间和精力在角楼的建筑细节刻画中，天空使用的是比较单纯的浅蓝色和深蓝色，这样的的背景简单而干净与建筑形成了一个非常和谐的呼应。
Final painting: Palace Museum
This was, by far, the hardest and most time-consuming project I have attempted, ever, and I am very pleased with the way it turned out. Seventy percent of this piece was all architecture, so the scale of each building needed to be precisely calculated, and the colors of the painting had to become paler as it receded in the distance, which is extremely hard to execute. There was so much packed into this painting, and all of it had to be shown separately and clearly. The whole theme of this piece was to show ancient Chinese architecture in its grandiose and glory, and I added a bit of modernness in the background, a nice little touch that I think helped the piece overall. This is definitely the main piece of the Palace Museum project, and there is definitely the perfect painting for this role.
最后一幅画：故宫博物院全貌
到目前为止，这是我尝试过的最困难、最耗时的画，我对结果非常满意。这一块的百分之七十都是建筑，所以每一栋建筑的绘画细节都需要精确计算，而且绘画的颜色必须随着距离的远去而变得更虚化，这是此作品最挑战的部分。这幅画里有太多的元素需要表达，而且所有的元素都必须清楚地展示出来。整件作品的主题是展示中国古代建筑的宏伟和辉煌，我在背景最后的部分加入了一点现代感的建筑，让古典和现代时代感形成一个很鲜明的对比。这绝对是故宫博物院项目的主打作品，是我先中此刻最完美的画作。
用生命的爱和喜乐去分享书画茶
I will use the love and the joy of life to share the Chinese calligraphy, Chinese painting and Chinese tea.
Utilisez l'amour et la joie de vivre pour partager de la peinture et de la calligraphie et du thé .
龚秀娟，书画茶老师。
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