Media and technologies are reprogramming the human brain, changing how we think and live in significant ways. Nobody really knows how this will affect the future, and few seem to care. The tendency is to let it happen and go with the flow, despite warnings from some that all is not well. Nobody can stop progress. Still, it’s fun to reflect on changes to see what might be lost.
Looking back to classic movies and comparing them with what we have today, we see many similarities. However, there are major differences. In particular, classic movies succeeded with few if any special effects. The camera focused more on faces and expressions, like in the movie Casablanca. Violent actions were seldom shown in gruesome detail but were inferred from the situation. Storylines focus on character and personal; dilemmas. Much was left to the imagination. And of course, sex was hinted at, but never shown, except inseedy theaters.
Some of the best movies too place in a single location, such as on a lifeboat or in a jury room. Would such moviesdraw an audience today? Those movies depended on writers who could build dramainto the interactions between characters who had psychology. It also requiredaudiences to have a similar interest, who could empathize and be moved. Dothose audiences exist today?
Flash forward to the present. So many movies are filled with fast-moving special effects, explicit violence, and lotsof sex. We have become voyeurs, addicted to getting thrills through theexperiences of others. Subtle emotions? Psychological dilemmas? Or just plainescape! Of course, there have always been escape movies - Bollywood movies with stars dancing in the streets. It’s just the balance which has shifted.
Classical music and jazz players for more than a few minutes. People concentrated and took time to enjoy and savor it. But now, immersed in media, there is no time. Experiences are quick and shallow, measured by the number of likes. We flee into the noise, perhaps to escape from ourselves.
What do you think? Or has it always been this way?
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