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RE调香室:东宫云雨

RE调香室:东宫云雨

作者: RE调香室 | 来源:发表于2016-04-19 22:13 被阅读0次

    【春宫】 RE沙龙香水 官方正品 妩媚诱惑 胭脂粉甜香型-淘宝网


    产品属性

    品名:春宫SPRING PALACE

    香型:蜜粉香型

    头香:黑醋栗,山楂,保加利亚玫瑰,蜜桔

    体香:红没药,茉莉,紫罗兰,玫瑰

    基香:零陵香豆,白麝香,焚香

    特点:罗纱曼妙中飘散着浓浓的膏香;豆粉香,红没药,保加利亚玫瑰,帕尔马紫罗兰,茉莉

    适合:日常生活、约会、聚会、宴会,秋冬使用

    春宫图是指以男女交合为主题的绘画,春宫画起源很早,根据荷兰汉学家高罗佩考证,《汉书》中“坐画屋为男女裸交接,置酒请诸父姐妹饮,令仰视画。”其中所述男女裸交合画,就是日后的春宫图。

    人类对性的渴望在每个时代都是旺盛的,所以春宫图的意义在于揭秘了人内心最不能言述的欲望。表达了人对一切讲不出口欲望的疯狂向往。

    Spring Palace paintings, a euphemism for Chinese erotic paintings, are rooted in antiquity and developed concurrently with the rise of rich mercantile cities in Southern China from the 10thcentury and reached their apex in the late Ming dynasty (early 17thcentury). In the conservative Confucian society, the topic of sex was strictly taboo and these paintings served as an outlet and a source of escapism and were only viewed in private. These paintings were also used as a tool for sexual education.

    In general, Chinese erotic art can be found on inlaid boxes, sculpted as porcelain figurines or even on the soles of ceramic shoes, but paintings were the preferred medium. Such paintings were especially graphic and detailed, and their content extremely explicit. The paintings depicted an extensive range of lovemaking positions between men and women. There were paintings depicting male-male trysts, and female-female trysts to a lesser degree.

    Beyond the titillating, these paintings were also a source of aesthetics pleasure. As there are no words, the scenes are layered in order to convey the message. The detailed landscapes and settings, facial expressions of the lovers and even the folds of their robes add to the sensuality of the scenes. Symbols are also commonly used. For instance, the plum blossom means purity and a gnarled tree-trunk signifies health and longevity.

    These paintings were layered in ideals of feminine beauty. They were narratives on imperial and everyday life and portrayed themes of humor, tenderness and love. After 1910, Chinese erotic art in general was suppressed by modern Confucius followers, Western missionaries and the communist state resulting in the destruction of many pieces, making it difficult to find authentic examples today.

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