我从2020年12月初开始，选择观看海上主题的电影，持续看了近两个月多时间了。所看的也算是很多的了，已经连续看了比较多的海上主题的电影，这些电影基本都是国外的。
国外的电影，特别是国外的海上主题电影。正是包含了我选择这个主题的原因。用来完善我的思维构建的中心化与去中心化力量的冲突。以及语言哲学，数学哲学和艺术哲学各自寻找建立属于自己的中心化力量。以及以阿基米德的“支点杠杆”论拓展为行动建设论，从基本点基本面选择，运用数学哲学进行技术面的建设，运用语言哲学与艺术哲学进行消息面以至影响情绪面的发展建设。
经过一段时间的电影观看与分析之后，原本还是比较粗糙的理论思维，己经有了更进一步的清晰。
所以，在接下来很多时间里，仍然还会继续看海上主题的电影。
当然，伴随我在看海上主题海电影的时候，也会看一些其他主题电影。因为我相信，随着自己的思维框架逐渐成熟、清晰以后，再去看一些陆地的其他主题电影的时候，运用自己构建的思维框架去观看陆上主题的电影，观看时的视角，一定会是比较独特的。
I've been watching movies on the sea for more than two months since early December 2020. What I have seen is also a lot. I have seen a lot of movies on the sea in succession, and these films are basically foreign.
Foreign films, especially foreign sea-themed films. That's why I chose this topic. The conflict between centralization and decentralized power used to perfect the construction of my mind. As well as philosophy of language, philosophy of mathematics and philosophy of art, each seeks to establish its own centralization force. And take Archimedes's theory of fulcrum leverage as action construction theory, from the basic point basic selection, the use of mathematical philosophy to carry on the technical construction, the use of linguistic philosophy and artistic philosophy to carry on the message surface and even affect the emotional development and construction.
After a period of film watching and analysis, the original is still relatively rough theoretical thinking, has been further clear.
So, for a lot of time, we will continue to watch movies with sea themes.
Of course, when I watch sea movies, I also watch some other theme movies. Because I believe that with the gradual maturity and clarity of their thinking framework, when they go to see some other theme movies on land, they will use their own thinking framework to watch land-themed movies, and the perspective of watching them will certainly be more unique.
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