乔治-修拉，蜡笔水粉，1887-88年，克利夫兰艺术博物馆藏，31.4x23.6cm
As you readthese words, even though the pandemic is still here, in some of the places in the world it is possible to go to a café and even a concert. Such a relief after months of lockdown! <3
在你读到这些文字时，即使疫情还在，在世界上的一些地方还是可以去咖啡馆甚至音乐会。经过几个月的封锁后，真是如释重负！<3
Despite Georges Seurat's brief lifespan, he created many drawings, working almost exclusively in the waxy Conté crayon and textured paper used for this sheet.
尽管乔治-修拉的寿命很短，但他创作了许多绘画作品，几乎都使用了孔德蜡笔和与今日画作一样的纹理纸张。
Café-concerts were popular places of entertainment for the middle classes in Paris during the late 1800s and usually featured singers or other forms of vaudeville entertainers. Georges Seurat created eight drawings depicting café-concerts, some showing known establishments. This drawing has an innovative viewpoint, in which we peer through the bowler hats of male viewers listening to a female singer on stage. Seurat typically used a black crayon manufactured by the Conté company, and its waxy quality allowed him to exploit the texture of paper to striking effect.
咖啡馆音乐会是十九世纪后期巴黎中产阶级的热门娱乐场所，通常以歌手或其他形式的杂耍艺人为特色。乔治-修拉创作了八幅描绘咖啡馆音乐会的图画，其中一些展示了有名的场所。这幅画有一个创新的视角，我们透过男性观众的圆礼帽观看舞台上高歌的女歌手。修拉通常使用孔德公司生产的黑色蜡笔，其蜡质特性使他能够利用纸张的纹理达到惊人的效果。
We present today's work thanks to the Cleveland Museum of Art.
感谢克利夫兰艺术博物馆与我们分享今天的画作。:)
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