西奥-范-雷塞尔伯格，布面油画，1890年，克勒-米勒博物馆藏，115.5x163.5cm
Théo Van Rysselberghe initially painted in an Impressionistic style. That changed in 1886 when he saw Georges Seurat’s A Sunday Afternoon on the Island of La Grande Jatte at an exhibition in Paris. This pointillist painting made such an impression on him that he also began painting with the pointillist technique, but with a distinctive, free style.
西奥-范-雷塞尔伯格（Théo Van Rysselberghe）最初以印象派风格绘画。1886年，当他在巴黎的一场展览上看到乔治-修拉的《大碗岛的星期天下午》时，情况发生了变化。这幅点彩画给他留下了相当深刻的印象，以至于他也开始用点彩画技法作画，但具有独特的自由风格。
In July - Before Noon is a fine example of that. Here, Van Rysselberghe is mainly concerned with the depiction of the summery atmosphere and the bright light. The five women have no contact with each other and are all engaged in their own activity. This reinforces the atmosphere of peace and tranquility on this summer afternoon and lends the scene a timeless character.
《七月-正午之前》就是一个很好的例子。在这幅画里，范-雷塞尔伯格主要关注的是对夏日空气和明亮光线的描绘。五个女人彼此没有接触，都在专注自己的事情。这加强了夏日午后和平宁静的气氛，并赋予现场一种永恒之感。
Van Rysselberghe began this painting in the summer of 1889. The woman in the blue dress is Maria Monnom, with whom he would marry in the autumn. That summer, the Monnom family stayed in Thuin, in southern Belgium. The garden shown here is probably the orchard of the nearby Aulne Abbey.
范-雷塞尔伯格于1889年夏天开始创作这幅画。画中穿着蓝色衣服的女人是玛丽亚-蒙诺姆（Maria Monnom），他将在当年秋天同她结婚。那年夏天，蒙诺姆一家住在比利时南部的图因。这里展示的花园可能是附近奥恩修道院的果园。
We present today's painting thanks to the Kröller-Müller Museum in Otterlo. : )
感谢荷兰奥特洛的克勒-米勒博物馆与我们分享今天的画作。 :)
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