In this chapter, Lewis further explores the concept of theTrinity. He illustrates this by using the positions of two books lying on a table, one on top of the other, and the relationship between the imagining mind and the picture to explain that the source, cause, or origin does not necessarily come first. Thus, in Christianity, the Father is not there before the Son. He argues that in Christianity, God is not a static thing—nor even a person—but a dynamic, pulsating activity, similar to a dance.在本章中，Lewis进一步探讨了三位一体的概念。他通过使用桌上两本书的位置关系——一本书叠放在另一书上（上面那本书之所以称之为在上面是因为下面有一本书，但是下面这本书并不一定要先于上面这本书存在在那里），以及想象中的思想与图画之间的关系（你想象的同时画面就出现了），来解释来源、原因或起源不一定非得是先出现的。因此，在基督教中，圣父并不是在圣子之前就存在的。他认为，在基督教中，上帝不是一个静态的存在——甚至也不是一个单一的个体，而是一种动态、脉动的运动，类似于一场舞蹈。
I appreciate how vividly C.S. Lewis illustrates and explains the complex concept of the Trinity. In Chapter 2, he uses a cube with six squares to show how God could be three persons yet still one; in this chapter,he further clarifies that the Father and the Son were present at the beginning,with neither preceding the other.我非常感激C.S.Lewis如此生动地说明并解释了三位一体这个复杂的概念。在第二章中，他用一个由六个正方形组成的立方体来展示上帝如何能够同时是三个位格的存在；在本章中，他进一步澄清了圣父和圣子在最初就同时存在，彼此并无先后之分
At the end of this chapter, Lewis emphasizes the importanceof correctly understanding this concept—because joining the dance with the Three is the only way we can transform from “being made” to sharing in the life of “being begotten.” “Every Christian is to become a little Christ.”在本章的结尾，Lewis强调了正确理解这一概念的重要性——因为只有与“三位一体”一起舞动，才能使我们从“被造(being made)”转变为参与“被生(being begotten)”的生命。即“每个基督徒都要成为一个小基督。”
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