这一篇出自一个华裔孩子之手。她用自我对话的方式展开小小的心路历程，颇有些小说笔法。她的文字很集中地至少体现了以下几个要点：
1. 把写这篇文章当成一个机会，而不是一种负担。这篇文章是你在申请过程中完全可以控制的，为数不多的事情之一, 特别是到了高三的时候。用它来诉说你故事的一部分。
2. 花点时间，超越司空见惯的模式。假如你在叙述一个事件, 那就试着超越按时间顺序讲故事的范围。包括一些意见或反思。
3. 不要试图面面俱到。专注于一件事，一个活动，或一个 "最有影响力”的人。试图说得面面俱到往往会让你的文章主题涣散或逻辑脱节。
4. 仔细思考对你重要的事情。不要害怕在写作中暴露自己。告诉对方你是谁, 你是怎么想的。
5. 写出思维过程，体现个性化的真实性。让你的读者相信你在说什么，而不是去费力迎合或探究读者想听什么样的话。
On the day my first novel was rejected, I was baking pies. Or rather, I was gathering the necessary stamina for our church’s annual pie sale. Ten hours of rolling crusts and peeling apples and kneading butter and sugar into the crumble topping, all the while drowning in the cinnamon air, surrounded by near-literal mountains of pies that we were forbidden to touch. (It was, I think, our pastor’s method of drilling the meaning of temptation into heads — he always preached about Eden the following Sunday.) I sat on my couch and counted the minutes until the agony of pie-making, (almost) forgetting the novel that was currently with the acquisitions board of one of the biggest publishing houses in the world.
To be fair, I hadn’t known that the acquisitions meeting would be held that day. I did know that two — two! — senior editors wanted to make all of my impossible dreams come true. I knew that the marketing and sales people had already looked over my manuscript — something that usually happened post-contract. I knew the meeting had been pushed back twice already by an unsympathetic hurricane that had left downtown Manhattan under several feet of water. I knew this was it. This had to be it. It was my turn.
I had slogged through the query trenches in search of an agent. I had collected enough rejection letters to wallpaper my room. I had found an agent who hadn’t run away when I finally told her that I was 15, who loved my story almost as much as I did, who submitted it and lured two — two! — senior editors to take a risk on it.
Hello, future? I’m ready for my happily ever after. Love, Amy.
Phone call from my agent. Sweaty palms and dizziness, a tap of a shaking finger to a smudged screen. Small talk and stalling. A sigh and, at last, the news, that the publisher had a similar novel on her list and vetoed the editors. That there was no heat in the flooded building and they had rejected everything and had gone home early. Stomach in throat, swallow. False laugh, assurances of next time. End call. Tears.
Hello, Amy? Sucks, doesn’t it? Love, the future.
It sucked so monumentally that I bought a pie and ate it in one sitting.
It’ll be okay. It’ll be okay. I fell asleep like that: okay, okay, okay, and I almost believed it. After all, the next day was the beginning of National Novel Writing Month. I had an outline and a story to tell: one of imaginary friends, Newton’s Laws of Motion, a car out of control, a crash into a tree.
Okay, okay, okay.
A ringing in the ungodly hours of morning. Phone call from a friend. Bleary eyes and words still spinning: okay, okay, okay. A mumbled what the heck? in place of a greeting, another hurricane in the answer. A classmate, a car out of control, a crash into a tree.
We used to have gym together, I didn’t know him too well, and I never would. Those were the facts — no opinions, no emotions I could translate into ink on a page, touch, understand. The words were gone. I sat at my computer with my fingers on the keys, shaking, sweating, smudging, but there was nothing to say.
Everyone went to the memorial service and everyone brought flowers, and in the silence, we cried. And there was anger, too, later — a bursting, a hush that imploded. I went home after the service and threw my laptop open and wrote about all that was unfair, and there was a lot to write about. The month passed, and I won NaNoWriMo. I revised the novel and sent it to my agent who began the submission process once again.
It sold in three days.
Hello, future? I’m not afraid. Love, Amy.
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