影青釉龙凤纹碗口径：18.5cm高：6cm
提到影青瓷大多数人都没有概念，它不如定、汝、官、哥、钧等瓷器出名。但在北宋时期，影青瓷深受人们的喜爱，连景德镇也因烧制影青瓷而名声大噪。也可以说，正因有了景德镇烧制的影青瓷，才有元代官方下令在景德镇生产的元青花。宋代词人李清照所写的“玉枕纱厨，半夜凉初透”， 据考古学家考证，“玉枕”很有可能指的就是景德镇烧制的影青瓷瓷枕。
Most people who mention shadow celadon have no concept. It is not as famous as porcelain, such as Ding, Yi, Guan, Ge, and Yi. However, in the Northern Song Dynasty, the shadow celadon was deeply loved by people, and even Jingdezhen was famous for burning shadow celadon.
It can also be said that it was because of the shadow celadon that Jingdezhen burned, that the Yuan Dynasty officially ordered the Yuanqinghua produced in Jingdezhen. According to the scholars of the Song Dynasty, Li Qingzhao wrote “Jade Pillows and Chefs in the Middle of the Night”. According to archaeologists, “Jade Pillow” is likely to refer to the shadow celadon porcelain pillows burned in Jingdezhen.
唐代中期形成了北方以邢窑为中心，南方以越窑为中心的“南青北白”两大局面。而随着南北方频繁的交流，到晚唐、五代的时期，北方学南方烧青瓷，南方开始学北方烧白瓷。影青瓷就是景德镇窑厂在烧白瓷的过程当中，偶然烧出来的品种。从现在的出土文物可以看到，从作为生活用品的碗、盘到作为装饰用品的香熏、盏托，还有宗教器皿等都可以看到影青瓷的身影。
In the middle of the Tang Dynasty, the two major situations of the north were Xing Kiln and the South was the center of the Yue Kiln. With the frequent exchanges between the North and the South, in the late Tang and Five Dynasties, the Northern School burned celadon in the south, and the South began to learn to burn white porcelain in the north.
Shadow Celadon is the variety that was accidentally burned out during the process of burning white porcelain in Jingdezhen Kiln Factory. From the present unearthed cultural relics, you can see the shadow celadon from the bowls and dishes that are used as daily necessities, to the aromas, squats, and religious utensils used as decorative items.
宋代影青瓷由半透明的釉，发展到半透明的胎，这在中国瓷器发展史上是一个飞跃。由于青白瓷制作的丰富经验，为以后青花瓷的出现和发展奠定了基础。釉质上，影青瓷的手感和观感，犹如青白玉一般。
The shadow celadon of the Song Dynasty developed from a translucent glaze to a translucent tire, which is a leap in the history of Chinese porcelain development. Due to the rich experience in the production of blue and white porcelain, it laid the foundation for the emergence and development of blue and white porcelain. On the enamel, the feel and look of the shadow celadon is like a white jade.
影青釉龙凤纹碗口径：20cm高：6cm
影青瓷除了“影青”这个名称外，还被叫做“隐青”、“映青”和“罩青”，学术上则习惯称之为青白瓷。瓷器白中透青，青中泛白，釉面明澈丽洁，胎质坚致腻白，色泽温润如玉，所以历史上有“假玉器”之称。北宋时期影青瓷因符合当时人们的审美而受到大众的喜爱。
In addition to the name "Shadow Green", Shadow Celadon is also called "Hidden Green", "Ying Qing" and "Green Cover". Academically, it is used to call it Qingbai Porcelain. The porcelain is white, the white is blue, the glaze is clear and clean, the tire is firm and white, and the color is warm and jade, so there is a "fake jade" in history. During the Northern Song Dynasty, the shadow celadon was popular among the public because it met the aesthetics of the people at that time.
宋太祖赵匡胤得天下后吸取唐末五代时期藩镇割据拥兵自重、武人粉墨登场纷纷称王不利于统治的教训，通过“杯酒释兵权”削弱武将权力，重文抑武。在当时这种文臣当道的政策下，宋朝出现一种温文尔雅的风格。我们看北宋时期的画作，都透露着丝丝的书卷气和清静悠远的气息，将中国画的留白体现得淋漓尽致。
After Zhao Taizu’s world, he learned from the end of the Tang Dynasty and the Five Dynasties, the town’s self-respecting and martial arts’s appearances were not conducive to the rule of the rule, and the power of the military was weakened by the “supply of the cup of wine”. At that time, under the policy of the literary dictatorship, the Song Dynasty appeared in a gentle and elegant style. When we look at the paintings of the Northern Song Dynasty, we all reveal the silky book and the quiet and distant atmosphere, which vividly reflects the whiteness of Chinese painting.
影青剔花碗口径：17.9cm 高：6cm
青影瓷是我国宋代时期创制和生产的主要瓷器品种，它集中地代表了宋代高度发达的制瓷工艺和技术水平，尤以景德镇窑为最，其烧造的青影瓷冠绝群窑，并形成了以景德镇为中心的宋元“青影瓷窑系”，在中国陶瓷史上占有重要地位。
Qingying Porcelain is the main porcelain variety created and produced in the Song Dynasty of China. It collectively represents the highly developed porcelain craftsmanship and technical level of the Song Dynasty, especially the Jingdezhen kiln is the most, and its burnt bronze shadow porcelain crown kiln, And formed the Song Dynasty "Qingying Porcelain Kiln" centered on Jingdezhen, which has an important position in the history of Chinese ceramics.
景德镇的影青瓷多采用“半刀泥”刻花技法，刀法灵动跳脱，奔放潇洒，轻快酣畅如行云流水。如果是仿造的，整个就像临摹一般生硬。在我们辨别真伪的时候也要综合青花料、隐青料等因素，不能一概而论。
鉴定时拿手电筒往器具里面照射，一次性注浆成功的、没有拼接处的，基本上一票否决，因为古代工匠都将是一片片泥料裁好，再镶上去。在做镶具时有一个要点，要用同样的泥料、同样的湿度、同样的镶品，经过火的检验，不开裂，才是好的镶具。
The shadow celadon of Jingdezhen uses the "half-knife mud" engraving technique, and the knife method is flexible and unrestrained, and it is unrestrained and sleek. If it is counterfeit, the whole is as hard as Linyi.
When we identify the true and false, we must also integrate factors such as blue and white materials and hidden green materials, which cannot be generalized. At the time of identification, the flashlight was used to illuminate the inside of the appliance. If the one-time grouting was successful and there was no splicing, basically one vote was rejected, because the ancient craftsmen would cut a piece of mud and then set it up. There is a point in making the inserts. It is a good insert to use the same mud, the same humidity, the same inlay, the fire test, and no cracking.
影青刻花折沿洗
“影青”纹饰主要是刻花、划花、印花,还有少量的堆塑花纹。早期器皿多无纹饰,或有少量刻划极为简单的花纹,如蔓草纹、水波纹等。中期以后,花纹显得繁杂,刻花、印花大量出现,常见的有菊瓣纹、莲瓣纹、石榴花、芙蓉花、萱草纹、云龙纹、龙穿缠枝花、缠枝莲纹、缠枝菊花、缠枝牡丹、风穿牡丹、婴戏牡丹、海浪纹、海浪五鱼纹、水波双鱼纹、莲塘双鱼纹等等。
The "Shadow Green" pattern is mainly engraved, embossed, printed, and a small number of piled patterns. There are many patterns in the early utensils, or a small number of patterns that are extremely simple, such as vinegrass, water ripples, etc. After the mid-term, the pattern appears complicated, and a lot of engraving and printing appear.
Commonly, there are chrysanthemum, lotus petal, pomegranate, hibiscus, sedge, cloud dragon, dragon wearing tangled flowers, tangled lotus, tangled Chrysanthemum, tangled peony, wind wearing peony, baby play peony, wave pattern, wave five fish pattern, water wave double fish pattern, lotus pond double fish pattern and so on.
“影青”的刻花、划花大多数构图简练,给人以雅致之感。例如海浪纹,仅用梳篦式工具随意在器皿上划几下,再用尖形工具在其上划几个随意的弧度,即可出现一幅汹涌澎湃的水波浪图画,如再添上几条小鱼,那就更有情趣了。而婴戏牡丹也较为精美,一般表现的是两小孩追逐于牡丹花丛中的图案,匠人刀法娴熟,流畅有力,将婴儿天真活泼、烂漫可爱的形象刻画得栩栩如生。
在拍卖会上影青瓷的表现同样耀眼，在2016年香港苏富比春拍宋代 汝窑 影青釉三足洗就以578万天价成交。小编从英国罗斯柴尔德拍卖行驻大陆办事处亿缘文化了解到我们文章篇首看到的两件影青釉龙凤纹碗将参加英国罗斯柴尔德拍卖行ukrothschild新加坡拍卖会，这正是我们零距离接触宋代影青瓷的好时机。
The engraving and sculpt of "Shadow Green" are mostly concise and succinct, giving people a sense of elegance. For example, the wave pattern, just use a bar tool to draw a few times on the vessel, and then use a pointed tool to draw a few random arcs on it, you can see a surging water wave picture, such as adding a few small Fish, then it is more interesting.
The baby play peony is also more beautiful, generally showing the two children chasing the pattern in the peony flowers, the craftsman is skilled, fluent and powerful, portraying the baby's innocent and lively, cute and lovely image.
At the auction, the performance of Celadon was equally dazzling. In 2016, Sotheby's Spring Auction in Hong Kong, the Song Dynasty, the kiln, the glaze, the three-legged wash was sold at a price of 5.78 million.
Xiaobian learned from the British Rothschild auction office in the mainland office Yiyuan Culture that the two pieces of the shadow glaze dragon and phoenix bowls that we saw at the beginning of the article will participate in the ukrothschild Singapore auction at the Rothschild auction house in the UK. It is time.
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