汉扬雄著《方言》四称：“龛，受也。”即容纳、盛受之意。佛教传入中国后，龛又指掘凿岩崖为室，安置佛像，即供龛。在中国云岗、龙门、敦煌等石窟中均能见到。此后，又出现了将石、木或其他材料做成橱子形小阁供奉佛像，但大都是与佛堂建筑同期进行，尺寸上有一定规范的较大佛龛。而在故宫中，独立于建筑主体之外，可随时拆迁并与佛像有多种组合关系的小型供龛，则在数量、样式和艺术特征上远远超过了传统的佛龛。
Han Yangxiong's "Dialects" four said: "Hey, accept also." That is to accommodate, accept the meaning. After Buddhism was introduced to China, it also referred to the excavation of rock cliffs as a room, and the placement of Buddha statues. It can be seen in the grottoes such as Yungang, Longmen and Dunhuang in China. Since then, stone,
wood or other materials have been made into cabinet-shaped small pavilions for worshipping Buddha statues, but most of them are carried out in the same period as the Buddhist temple buildings, and the size of the larger Buddhist altars. In the Forbidden City, small-scale supply that is independent of the main body of the building and can be demolished at any time and has various combinations with the Buddha image, far exceeds the traditional Buddhist altar in terms of quantity, style and artistic characteristics.
清木雕随身佛龛 保利春拍466万
我们今天看到的就是一尊便携式沉香木雕佛龛，木雕佛龛在古代一般是比较出名的木雕大师才有资格雕刻，和现代机器雕刻是不一样的。每一个花纹都是艺术的体现，可以发现每个朝代的不同雕刻手法以及信仰佛像的样式。
What we see today is a rare portable agarwood carving Buddha of the Qing Emperor Qianlong. The woodcarving Buddha in ancient times is generally a famous woodcarving master who is qualified to engrave, which is different from modern machine carving. Each pattern is an embodiment of art, and you can discover the different carving techniques of each dynasty and the style of belief in Buddha images.
清木雕随身佛龛 保利春拍466万
《大般若波罗蜜多经》：卷第一百三唐三藏法师玄奘 奉诏译初分摄受品第二十九之五“憍尸迦！若善男子、善女人等，怖畏怨家、恶兽、灾横、厌祷、疾疫、毒、药、咒等，应书般若波罗蜜多大神咒王，随多少分香囊盛贮，置宝筒中，恒随逐身恭敬供养，诸怖畏事皆自消除，天龙、鬼神常守卫故。”
"Big Prajna Paramita": Volume One hundred and three Tang Tangzang Master Xuanzang Feng Yi translation of the first sub-photograph of the twenty-ninth "squatting corpse! If good man, good woman, etc., fear of resentment, Evil beasts, disasters, sorrows, plagues, poisons, medicines, curses, etc., should be like Prajna Paramita, the number of sacrificial sacs, with a number of sachets in the treasure, in the treasure tube, Heng with respect to the body to support, all fear Everything is self-eliminating, and Tianlong and Ghosts are always guarding the cause."
梅兰竹菊纹佛龛
供佛之小室曰佛龛，佛龛即小型的佛寺或佛堂。“龛”原指掘凿岩崖为空，以安置神像之所，安置佛像即称为“佛龛”。据《观佛三昧海经》卷四记载，一一之须弥山有龛室无量，其中有无数化佛。《大毗婆沙论》卷一七七记载：底沙佛至山上，入吠琉璃龛，敷尼师檀，结跏趺坐，入火界定。现今各大佛教遗迹中，如云冈、龙门等石窟，四壁皆穿凿众佛菩萨之龛室。后世转为以石或木，作成橱子形，并设门扉，供奉佛像。
For the Buddha's small room, the Buddha Temple is a small Buddhist temple or Buddhist temple. "龛" originally meant that the excavation rock cliff was empty, to house the statue, and the placement of the Buddha image was called "Buddha". According to the volume of the "Focus on the Three Buddhas of the Buddha", the four must have a chamber, there are countless Buddhas. "Da Bu Po Sha" on the volume of 177 records: the bottom of the Buddha to the mountain, into the glass 龛, sit, into the fire defined. In today's major Buddhist relics, such as Yungang, Longmen and other grottoes, all the walls are pierced with the chambers of the Buddhas and Bodhisattvas. Later generations turned to stone or wood, made into a cabinet shape, and set a threshold for the Buddha statue.
梅兰竹菊纹佛龛
这是一尊稀有的大清乾隆年制便携式沉香木雕梅兰竹菊纹佛龛，为橱形二开门小型佛龛，内部呈洞窟状，便于外出时携带礼佛用，佛龛上部中央位置；主尊如来面相圆润，神态安详，法相慈悲端庄，呈金刚跏趺坐安住莲花宝座之上，两侧门扉上方也各有一尊头戴宝冠的菩萨安住在莲花宝座之上。下方三格为供养人及护法像，以梅，兰，菊，竹，为纹饰，雕刻精美，佛龛合起后两边刻有上求菩提，下化众生。
This is a rare large-scale portable agarwood carved Buddha of the Qing Emperor Qianlong. It is a small-sized Buddhist altar with a small open door. It has a cave-like interior. It is convenient for carrying Buddhas when going out, and the central position of the upper part of the Buddhist altar; the main statue is round and sleek, and the appearance is peaceful.
Compassionate and dignified, King Kong sits on the throne of the Lotus, and there is also a Buddha with a crown on the two sides of the threshold. The lower three grids are for the supporters and the guardian statues. They are decorated with plums, orchids, chrysanthemums, and bamboos. The carvings are exquisitely carved, and the two sides of the Buddhist altar are engraved with Bodhi and the descendants.
梅兰竹菊纹佛龛
最为难得的是这尊佛龛还是用百年沉香木雕成，一块优质的沉香木要数百年甚至上千年才能形成，因此产量极少，市场供不应求，因此十分珍贵，具有很高的收藏价值。在2013年保利春拍上一件相同款式的清 木雕随身佛龛就拍出了保利466万的天价，小编从英国罗斯柴尔德拍卖行驻大陆办事处亿缘文化了解到这尊稀有的大清乾隆年制便携式沉香木雕沉香木雕梅兰竹菊纹佛龛佛龛将参加英国罗斯柴尔德拍卖行ukrothschild新加坡拍卖会，这正是我们近距离接触尊稀有的大清乾隆年制便携式沉香木雕佛龛的好机会。
The most rare thing is that this Buddha is still carved with a hundred years of agarwood. A high-quality agarwood can only be formed for hundreds of years or even thousands of years. Therefore, the output is extremely small, and the market is in short supply. Therefore, it is very precious and has a high collection value. In 2013, Pauli Chun took a piece of the same style of pure wood carvings and took a price of 3.66 million.
Xiao Bian learned from the British Rothschild auction office in the mainland, Yiyuan culture, this rare Daqing Qianlong's annual portable agarwood carving Buddha will participate in the ukrothschild Singapore auction in Rothschild, UK. This is a good opportunity for us to get close to the rare and colorful Aquila wood carving Buddha.
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