中国书画报首都艺术中心 首都书画院《聚贤堂》名家经典 国际传播 荣誉出品Chinese painting and calligraphy newspaper capital art center capital painting and calligraphy academy"Ju xian tang" famous classic international dissemination honor production
Famous artist zhang yi
张艺，当代工笔画坛的一位为人熟知的著名画家。她为人谦和、低调，作品大方、现实，讲学热情、真诚。她以具象写实的工笔画法，作品以社会各界人物为载体，重在传递画面中那番宁静圣洁的内容与人物精神世界，使得工笔画坛上又增添了一份生力军。
Zhang yi is a well-known and famous painter in contemporary meticulous painting circle. She is modest and low-key, her works are generous and realistic, and she gives lectures with enthusiasm and sincerity. Her works, with figures from all walks of life as the carrier, focus on conveying the quiet and holy content and the spiritual world of characters in the picture, which adds a fresh force to the meticulous painting circle.
Zhang yi works
张艺：南京邮电大学传媒与艺术学院教授 、硕士生导师。中国美术家协会会员、中国工笔画学会理事、中国女画家学会理事。
《毕业班的初夏》入选第十一届全国美展，《校园向日葵》入选百家金陵中国画展 《仲夏织梦》获“全国首届现代工笔画大展”金奖，《飘动的云》（合作）获“第二届全国‘徐悲鸿奖’中国画展”唯一的金奖，《心弦》获首届全国中国画线描艺术展优秀奖（最高奖），《A6教室》获全国第六届工笔画大展优秀奖（最高奖），《月儿》获第七届中国美术家协会会员中国画精品展优秀奖（最高奖），2012年获江苏省人民政府主办的“2012傅抱石奖·江苏中国画作品展”提名奖，多幅作品被《美术》杂志选用发表等等……。
张艺的艺术成就，日益受到艺术界业内人士和社会热爱艺术的人们快口称道和瞩目！
Zhang yi: professor, school of media and art, nanjing university of posts and telecommunications, master tutor. Member of Chinese artists association and director of Chinese claborate_style painting association executive director of the institute of Chinese female painters "the graduating class of early summer" included in the 11th national arts exhibition, "" sunflower" in hundreds of jinling Chinese painting exhibition "midsummer dream weaving" won "the first modern claborate_style painting exhibition" gold prize, "a floating clouds (cooperation)" the 2nd national prize for xu beihong Chinese painting exhibition "the only gold medal," heartstrings "won the first national art exhibition of Chinese painting line recognition (top prize)," A6 classroom "won the sixth claborate_style painting exhibition honorable mention (top prize), "Moon" won the seventh China artists association member Chinese painting fine works exhibition excellence award (the highest award), in 2012 was sponsored by the people's government of jiangsu province "2012 fu baoshi award · jiangsu Chinese painting works exhibition" nomination award, a number of works were selected and published by art magazine and so on... cars only Zhang yi's artistic achievements, increasingly by the art industry insiders and people who love art in society quickly praise and attention!
Zhang yi works
她清楚的认识到艺术独创性的重要性，在选择主题内容的时候，另辟蹊径。
寻找自己熟悉的，大众熟悉的，画坛不多见的，却又不可缺失的社会某阶层需表现的，来作为自己独有的笔下题材，创造出自己艺术风格语言。
一个优秀的画家，不仅需要扎实的艺术功底和丰富的艺术素养，还需要有独立的艺术见解和独到的社会哲学的思考。
唯有这样才能使作品具有时代风格，唯有这样才能传递给社会正能量中的艺术文化审美的高度。
She clearly recognized the importance of artistic originality, and chose a different way to choose the theme content.
Look for what you are familiar with, what is familiar to the public, what is rare in the painting circle, and what is indispensable for a certain social class to express, so as to create your own artistic style and language as your own unique subject matter under pen.
An excellent painter not only needs solid artistic foundation and rich artistic quality, but also needs to have independent artistic insight and unique social philosophy thinking.
Only in this way can the works have the style of The Times, and only in this way can the art culture aesthetic height be transmitted to the positive energy of the society.
Zhang yi works
在张艺的大部分作品中，将目光聚焦在身边的女大学生、女研究生中，她用细腻的画笔去描绘她们内心世界，用笔去挖掘她们在人生路途中、这段时期里所共有和特有的情感。
这些作品的个性鲜明，风格突出，在许多重要展览中张艺屡次斩获大奖。
张艺在攀登艺术高峰的途中，视前贤为高峰，不断遵循着前贤的宝贵经验，汲取历史开宗立派大家。
In most of zhang yi's works, her eyes are focused on female college students and graduate students around her. She USES delicate brushes to depict their inner world and dig out their common and unique emotions in their life journey and this period.
These works have distinctive personality and outstanding style, and zhang yi has won many awards in many important exhibitions.
On the way to climb the peak of art, zhang yi regarded the former as the peak, constantly followed the valuable experience of the former, and absorbed the history of the school
Zhang yi works
列宾的《伏尔加河上的纤夫》、《查波罗什人写信给苏丹王》、《意外归来》，苏里科夫的《女贵族莫洛卓娃》列维坦的风景画中极富诗意的色调设置，给张艺的启示非常大，使她在绘画艺术的色调汲取了经典营养。
中国东晋的顾恺之，唐代张萱、周昉、阎立本，宋代李公麟、李嵩，明代陈洪绶以及近现代画家黄宾虹、潘天寿、徐悲鸿、傅抱石、叶浅予、黄胄在创新立意上的艺术成就，给予张艺诸多艺术启示。
她不断的调整自己在“道”与“技”之间的艺术修为，使得她在工笔人物画中，无论是选择主题立意，还是构图设色与造型，以率真的勾线，体现出文人画的典雅，同时又不失学院派的严谨。其传统的韵味，充溢着现代气息。
Libin's "trayers on the volga river", "charboroche people write to the sultan", "unexpected return", surikov's "female aristocrat molodrova" the rich poetic tone setting in the landscape painting of levitan, give zhang yi very big inspiration, make her in the painting of the tone of classical nutrition.
Gu kaizhi in eastern jin dynasty, zhang xuan, zhou fang and yan liben in tang dynasty, li gonglin and li song in song dynasty, Chen hongshou in Ming dynasty and the artistic achievements of modern painters huang binhong, pan tianshou, xu beihong, fu baoshi, ye qianyu and huang zhou in creative conception have given zhang yi many artistic inspirations.
She constantly adjusts her artistic cultivation between "tao" and "technique", which makes her choose the theme, composition, color and modeling in meticulous figure painting, and express the elegance of literati painting with the straightforward drawing lines, without losing the preciseness of academic school. Its traditional charm, full of modern breath.
Zhang yi works
张艺作品中表现的当代女大学生现实生活，一个个充满青春气息的形象。
娴雅至纯，目光清澈，神态安详婉约而隽永、宁静而致远，为我们打开了一扇新的艺术视角。
通过这一幅幅画面，透视出她们心灵的表白。画面充溢着时代气息，既时尚又端庄，既传统又现代。
纯美的东方青年女性形象，仿佛是从悠长的历史长河中走来的美的化身，这正是张艺对现代女大学生在作品中的人物文化定位。
使得我们的目光不仅仅停留在画中人物姣好的面容和婀娜的身姿，而是透析着美在人物的精神世界中，通过表象去体味她们传统中散发出的宁静与清澄。
The real life of contemporary female college students in zhang yi's works is full of youthful images.
Elegant to pure, clear eyes, demeanor serene and graceful and meaningful, quiet and zhiyuan, for us to open a new artistic perspective.
Through this picture, the perspective of their hearts. The picture is full of the breath of The Times, both fashionable and dignified, both traditional and modern.
The pure and beautiful image of Oriental young women seems to be the embodiment of beauty coming from the long river of history, which is exactly zhang yi's cultural positioning of modern female college students in his works.
As a result, our eyes are not only focused on the beautiful faces and graceful posture of the characters in the paintings, but also on the beauty in the spiritual world of the characters. We can appreciate the tranquility and clearness in their traditions through appearances.
Zhang yi works
英国形式主义美学家克莱夫·贝尔（Clive Bell，1881—1964）认为美是一种“有意味的形式”。
他认为，在不同的艺术作品中，线条、色彩等，以某种特殊方式组成某种形式或形式间的关系，激起我们的审美感情。
这种线、色的关系和组合，这些审美的感人的形式，就是“有意味的形式”。
张艺的工笔人物作品，通过题材内容的表象，以这种“有意味的形式”，更多解读的是现代女性精神世界中具有的人性美，和她需要描绘出的艺术文学性。
工笔画家与大写意画家在“有意味的形式”上差异，一般来说，在人格体现与艺术素养上，工笔画家更偏向理性的个性气质。
British formalist aesthetician Clive Bell (1881_1964) believed that beauty was a "meaningful form".
He believes that in different works of art, lines, colors, etc. form a certain form or the relationship between forms in a certain special way and arouse our aesthetic feelings.
This line, color relations and combinations, these aesthetic moving form, is "meaningful form."
Zhang yi's meticulous works of characters, through the representation of subject matter and content, in this "meaningful form", interpret more the human beauty in the spiritual world of modern women and the artistic and literary nature she needs to depict.
Meticulous painters and freehand painters differ in "meaningful forms". Generally speaking, in terms of personality expression and artistic quality, meticulous painters prefer rational personality temperament.
Zhang yi works
张艺热爱生活、与人为善，她热爱学生，与学生做朋友。她通过社会生活的体验，使工笔人物画艺术的探索和创作，实现了理性思维和激情创造的统一，使得作品更具备较强的时代特征。
在表现主题的逻辑思维和归纳上，她的幅幅作品又都能表现出她那颗内在激情的浪漫情怀。
对一个画家来说，艺术语言的锤炼和创造的过程，是登上成功彼岸凤凰涅槃的必经过程。
在艺术史的星河中熠熠生辉的，一定是那些为世人所公认的艺术语言的独创者。
Zhang yi loves life and is kind to others. She loves her students and makes friends with them. Through the experience of social life, she makes the exploration and creation of meticulous figure painting art to achieve the unity of rational thinking and passionate creation, which makes the work more characteristic of The Times.
In terms of the logical thinking and induction of the theme, all her works can show her inner passionate romantic feelings.
For a painter, the tempering and creating process of artistic language is the inevitable process of the phoenix rising from the ashes.
Those who shine brightly in the stars of art history must be the original creators of art language recognized by the world.
Zhang yi works
张艺先后从事过雕塑创作、戏曲人物造型和服装设计，对画面的空间结构、色彩的真实与诗意、造型的写实与夸张、线描的节奏与韵律等方面进行了深入的理论研究与创作实践。
她又先后就读于中国戏曲学院和中央美术学院，熟悉西方古典绘画和现代绘画的精髓，对中国绘画史则更是有着深刻的理解。
在长期的艺术创作和教学、研究中，从继承传统入手，学习古典绘画经典和前辈画家的经验，从采风写生中体验人物的情感和精神世界。
在多年的工笔人物画创作中，其题材从少数民族女青年到都市的时尚女孩，以及当代女大学生，无一不是将生活中的人物素材，作为创作的载体阐述着自己的艺术语言，抒发着对现实社会的人生乐观态度。
Zhang yi has been engaged in sculpture creation, opera figure modeling and costume design successively, and conducted in-depth theoretical research and creative practice on the spatial structure of the picture, the truth and poetry of color, the realism and exaggeration of modeling, and the rhythm and rhythm of line drawing.
She has also studied at the Chinese opera academy and the central academy of fine arts. She is familiar with the essence of western classical painting and modern painting, and has a profound understanding of the history of Chinese painting.
In the long-term artistic creation, teaching and research, starting from inheriting the tradition, learning from the classical painting classics and the experience of previous painters, and experiencing the emotional and spiritual world of characters from the style painting.
In the years of meticulous figure painting creation, the subjects range from ethnic minority young women to urban fashion girls and contemporary female college students, all of whom use the life character material as the creation carrier to elaborate their own artistic language and express their optimistic attitude towards the real society.
Zhang yi works
中国工笔画中的线不是简单地用于分割形体而构成作品的艺术语言的锤炼与创造众所周知，中国工笔画中的线不是简单地用于分割形体而构成画面的。
它具有造型、表意的特征，既有西洋绘画中素描塑形的功能，又能够体现表现对象的精神特征和作者的情感。
因此，以线造形是中国工笔画的重要特征，也是一个创造性的过程。甚至可以认为，线描的质量在很大程度上决定着作者绘画成就的高下。
张艺画中的线描富于表现力，线条的粗细、浓淡、刚柔、虚实、疏密、长短、起承转合均可见出匠心所在。
这得益于在她长期的美术教学中对传统经典的研究和创作实践。
As we all know, the lines in Chinese fine painting are not simply used to divide the body and form the artistic language of the work. The lines in Chinese fine painting are not simply used to divide the body and form the picture.
It has the features of shape and meaning, not only has the function of sketching in western painting, but also can reflect the spiritual characteristics of the object and the emotion of the author.
Therefore, line shaping is an important feature of Chinese traditional painting and a creative process. It can even be argued that the quality of line drawing largely determines the success of an author's painting.
The lines in zhang yi's paintings are full of expressiveness. The thickness, shade, firmness, softness, emptiness, density, length, transition and combination of lines all show the originality.
This benefits from her research and creation practice of traditional classics in her long-term art teaching.
Zhang yi works
她学习传统而不囿于传统，学习他人而不随潮流。虽生活、工作于大都市，却不问寒暑秋冬。远离城市的喧嚣，沉浸在艺术的天地里，全身心投入到工笔人物画的创作中。
在艺术语言的探索中“尽精微，致广大”，画面的构成气局开阔，虽是以女大学生为画面主体，却无阴柔、脂粉之气。即使是小品也不纤弱，而是健康阳光，显得格调不凡。
She learns from tradition without being bound by tradition. She learns from others without following the trend. Although I live and work in a big city, I don't care about winter and summer. Far away from the hustle and bustle of the city, immersed in the world of art, devoted to the creation of meticulous figure painting.
In the exploration of artistic language, "to the fullest extent, to the greatest extent", the picture is composed of an open qi bureau, although female college students as the main body of the picture, but there is no soft, pink gas. Even the sketch is not delicate, but healthy sunshine, appear extraordinary style.
Zhang yi works
与西洋绘画相比，中国工笔画中的线更具主观因素，但如果一味强调主观而失却了对表现主体的现实观察，则容易流于形式。
张艺的线描和造型融于一体，既有书法的灵动美，又不失之于工致与力度，以线表意，以线抒情，在线中见出她的审美理想和艺术格调，体现了主客观的统一和谐。
她善于控制色彩的基调，每一幅画都会有一个大的基调，同时注意色彩的微妙变化。通过局部色彩的色相对比、纯度对比和明度对比，形成虚实相生、交相呼应的色彩韵味，素雅而不张扬，注重意境与质感的表现。
这取决于她对于艺术创作规律的深刻理解和创作过程中的倾心投入。
Compared with western painting, the lines in Chinese fine brush painting have more subjective factors. However, if the emphasis on subjectivity is lost in the reality observation of the subject, it is easy to become formalistic.
Zhang yi's line drawing and modeling are integrated into a whole, which not only has the clever beauty of calligraphy, but also does not lose the power of workmanship and strength. Her aesthetic ideal and artistic style can be seen online, reflecting the unity and harmony of subjectivity and objectivity.
She is good at controlling the tone of color, each painting will have a big tone, and pay attention to the subtle changes of color. Through the contrast of partial colors in hue, purity and brightness, it forms the color lasting appeal of virtual and real life and mutual echo, simple but elegant and not publicity, paying attention to the performance of artistic conception and texture.
It depends on her profound understanding of the rules of artistic creation and her devotion in the process of creation.
Zhang yi works
西洋素描与传统中国工笔画分属于两大文化体系，作为一名当代画家，如果仅从一条道行进，想期望获得成功的，是困难的。
因为两大体系在各自的发展中，具有各自的历史文化积淀，具有各自的审美特质、具有不可替代性。
要将素描的直觉感受和视觉的真实效果，融入以单线平涂、三矾九染为特征的传统工笔画，是需要创造出新工笔画的绘画语言来的。
有鉴于此，张艺在生活真实与艺术表现上、直觉与画面语言的表达上，结构与艺术效果情感的抒发上，深入刻画和理解了西方传统与东方韵味与精神内涵，她寻找到了内在的关联。
因此，看张艺的画，能够感觉到音乐般的节奏与韵律。
Western sketch and traditional Chinese fine brushwork belong to two major cultural systems. As a contemporary painter, it is difficult for him to expect success if he only follows one path.
Because the two systems in their own development, with their own historical and cultural heritage, with their own aesthetic characteristics, with irreplaceable.
To integrate the intuitive feeling of sketch and the real visual effect into the traditional traditional fine brush painting characterized by single line flat painting and three alom nine dyeing, it is necessary to create a new painting language of fine brush painting.
In view of this, zhang yi has deeply depicted and understood the western tradition and Oriental charm and spiritual connotation in terms of the real life and artistic expression, the expression of intuition and picture language, and the expression of structure and artistic effect emotions, and she has found the internal correlation.
Therefore, looking at zhang yi's paintings, you can feel the rhythm and rhythm like music.
Zhang yi works
全面的艺术素养尤其是“央美”体系的素描功力无疑是张艺得以实现绘画理想的前提。
优秀的艺术品，永远是人们前进中的精神粮食，它们体现的是艺术的内在结构于外在形态的完美结合，以及贴近艺术本质的永恒魅力。
张艺擅长于服装和各类器具质地的表现。牛仔布、水洗布、丝绸、毛衣、皮具和金属、木材、毛发等，体现出女性画家特有的敏感和敏锐。
她并不一味强调画面形象的细腻、精致，而是重在情感的抒发，重在作品的意境、“有意味”，表现自然生命的意象特征。
她注重人物个性的微妙特征，在宁静中追求单纯，在圣洁中蕴含完美，纯情与秀美以诗意形式展现。
Comprehensive artistic accomplishment, especially the sketch ability of "central beauty" system, is undoubtedly the premise for zhang yi to realize his ideal painting.
Excellent works of art are always the spiritual food for people in their progress. They reflect the perfect combination of the internal structure of art and the external form, as well as the eternal charm close to the essence of art.
Zhang yi is good at showing the texture of clothes and all kinds of utensils. Denim, wash cloth, silk, sweaters, leather goods and metal, wood, hair, etc., reflect the unique sensitivity and sensitivity of female painters.
She does not blindly emphasize the delicacy and delicacy of the images, but emphasizes the expression of emotions, the artistic conception and "meaning" of the works, and the image characteristics of natural life.
She pays attention to the subtle features of characters' personality, pursues simplicity in tranquility, and contains perfection in holiness. Pure feelings and beauty are displayed in poetic form.
Zhang yi works
张艺正是以她的工笔人物画创作，实践着艺术的主题与内在结构和外在的形态达到了完美的结合。
在形式与艺术的本质内涵上，在各种绘画语言技法相结合的基础上，以才情和智慧，创造出独有的工笔人物画的效果，实现了新时代下都市大学生的完美个性化的艺术语言塑造符号。
It is with her meticulous figure painting that zhang yi practices the perfect combination of artistic theme, internal structure and external form.
In terms of the essence of form and art, on the basis of the combination of various painting language techniques, the unique meticulous figure painting effect is created with talent and wisdom, realizing the perfect personalized artistic language of urban college students in the new era to shape symbols.
Zhang yi works
张艺的工笔人物，将创作与社会发展相融合，具有较高的精神文化与艺术价值。
她的作品是呈现给我们真善美的精神食粮，给社会风尚注入一缕新风，迎合了时代主流艺术文化的发展方向，体现出新时代艺术复兴的一种祥和健康面貌。她的艺术成就将更值得我们期待！
Zhang yi's meticulous figures, combining creation with social development, have high spiritual culture and artistic value.
Her works are the spiritual food that shows us the truth, kindness and beauty, infuses a wisp of new wind into the social fashion, caters to the development direction of the mainstream art and culture of The Times, and reflects a peaceful and healthy appearance of art revival in the new era. Her artistic achievements will be more worthy of our expectation!
Zhang yi works
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