顾景舟（1915-1996），原名景洲。别称：曼希、瘦萍、武陵逸人、荆南山樵。自号壶叟、老萍。宜兴紫砂名艺人，中国美术家协会会员，中国工艺美术大师。18岁拜名师学艺。三十年代后期至上海制壶仿古。54年进入宜兴蜀山陶业合作社。56年被江苏省政府任命为技术辅导，带徒徐汉棠、高海庚、李昌鸿、沈遽华、束凤英、吴群祥等人。一生三次参加全国工艺美术代表大会，在港、澳、台、东南亚影响特大，被海内外誉为“壶艺泰斗”，作品为海内外各大博物馆、文物馆收藏。
Gu jingzhou (1915-1996), formerly known as jingzhou. Other names: manxi, thin ping, wuling yiren, jing nan shan qiao. From the old pot Chaucer, old ping. Yixing purple sand artist, member of China artists association, China arts and crafts master. At the age of 18, I learned from a famous teacher. Late 1930s to Shanghai to make antique POTS.
54 years into yixing shushan pottery cooperative. In 56, he was appointed as a technical coach by the government of jiangsu province. He led xu hantang, gao haigeng, li changhong, shen qihua, shu fengying, wu qunxiang, etc. I participated in the national arts and crafts congress three times in my life, and had great influence in Hong Kong, Macao, Taiwan and southeast Asia.
顾景舟可以说是历代紫砂陶艺名家中，名号最多的一位，他本名景洲，后改名为景舟、名号有曼晞、瘦萍、武陵逸人、荆南山樵及壶叟等。曾自创堂号为自怡轩。他在壶艺上的成就极高，技巧精湛，且取材甚广。可说是近代陶艺家中最有成就的一位，所享的声誉可媲美明代的时大彬，世称“一代宗师”、“壶艺泰斗”。
It can be said that gu jingzhou was the most famous artist in purple sand pottery in the past dynasties. His name was jingzhou, and later he was renamed as jingzhou. His name was changed to include man xi, thin ping, wu ling yi, jing nan shan qiao and Chaucer.
He created his own hall as his own yixuan. His achievements in pot art are extremely high, his skills are superb and his materials are extensive. Can be said to be the most accomplished of modern ceramics, enjoy a reputation comparable to the Ming dynasty when da-bin, known as the "generation of masters", "pot art masters".
顾景舟制壶留影
顾景舟做壶60余年，在心摹手追明代、清代、民国诸名家的同时，一改清初以来紫砂壶纤细繁琐、堆砌繁华之气，追求壶体线条的流畅舒展，权衡比例的协调秀美，注重造型的简朴大方，独创出了属于自己，那雄健而严谨、流畅而规矩、古朴而典雅、工精而秀丽的艺术风格，被誉为壶艺泰斗、一代宗师。
Gu Jingzhou do pot of more than 60 years, copy hand heart back to the Ming dynasty, qing dynasty, the republic of China of all the famous artists at the same time, change since the qing dynasty are recommended and fine trival, piled up qi, the pursuit of the pot body line of smooth stretch,
weigh the proportion of the coordination of comely, pay attention to the modelling of the simple and generous, unique out of their own, the powerful and precise, smooth and rules, of primitive simplicity and elegant, pure and beautiful art style, art is known as the pot mogul, a grand master.
紫砂壶艺术是时代的产物，某个时代的审美情趣决定着它的造型及纹饰。综观紫砂壶的历史发展及其演变，表现为由粗趋精、由简趋繁，再追求返璞归真的过程，即经历古朴的实用性到华丽的装饰性再到淡雅的艺术性三个阶段。历代紫砂艺人在细心观察和研究社会现象及自然形态的基础上，吸取了中国传统绘画和古代陶器、漆器、玉器、瓷器等传统工艺美术品的艺术特点，获得了高度的艺术素养，从而设计出了多种多样的紫砂茗壶造型，并加以发展，从而形成了紫砂壶上独特的民族风格以及艺术特色和时代特征。
The art of zisha teapot is the product of The Times. The historical development and evolvement of zisha teapot are reflected in the process of pursuing simplicity and simplicity, and then returning to simplicity and truth.
Imperial purple clay artist on careful observation and research on the social phenomenon and natural form, on the basis of absorbing the traditional Chinese painting, lacquer, jade, porcelain and ancient pottery art characteristics of traditional arts and crafts, won a high degree of artistic accomplishment, thus designed a variety of purple sand tea pot, modelling and development, thus formed are recommended on the unique national style and artistic characteristics and times features.
小编从英国罗斯柴尔德拍卖行驻大陆办事处亿缘文化了解到一套来自民间的顾景舟岁寒三友紫砂套壶，这套壶将在英国罗斯柴尔德拍卖行ukrothschild进行拍卖，这正是我们零距离接触这一套珍贵的顾景舟岁寒三友紫砂套壶的好时机，下面让我们一起来欣赏一下这套承载了大师历史记忆的紫砂壶。
From Rothschild auctioneer's office in mainland China, the author learns that a set of Gu Jingzhou Sanyou purple sand set pot will be auctioned at UK Rothschild auctioneer ukrothschild. This is a good time for us to contact this set of precious Gu Jingzhou Sanyou purple sand set pot at zero distance. Let's take a look at this set of purple clay teapot which carries the master's historical memory.
该图为这套壶的正面照以及印章图，小壶高：7cm；中壶高：7cm；大壶高：8.3cm；总高：17cm；重500g。
此套“岁寒三友”紫砂套壶为一代紫砂宗师顾景舟在七十年代“文革”期间由于内心被压抑太久，向往高洁，需要释放之时制作而成。大师借此套壶展示其傲骨风度，并有力回击“顾某人不会做花器的传言”。壶身作工精细，气度更是饱满蕴蓄，神采奕奕。全器大、中、小三层采用节节高升的寓意作为主要题材，轮廓线条既清新出尘，又能体会出松叶四季常青的心态；翠竹虚心谦卑的态度；梅枝傲骨不屈的精神。
This set of "year old cold three friends" purple sand set pot for the generation purple sand master gu jingzhou in the 1970s "cultural revolution" because of the heart was suppressed for too long, yearning for gao jie, need to release when the production. The master used the pot to show off his good manners and hit back with a forceful response to "rumors that someone wouldn't make a flower pot."
The pot body work fine, the gas is full implication, vibrant. The big, middle and small three layers adopt the implied meaning of rising as the main theme, the contour lines are not only fresh out of the dust, but also can experience the state of mind of evergreen pine leaves. The humble attitude of cuizhu; Mei zhi's unyielding spirit.
树立了鲜明的高尚人格的风格，也借以比喻忠贞的友谊。该壶脱俗朴雅，仪态纷呈，器形雄健严谨，线条流畅和谐，散发出浓郁的东方艺术特色，是一套极其珍罕的顾景舟紫砂花器精品，具有极高的收藏投资价值，顾景舟大师作品在国内外收藏家和博物馆一直处于被争相收藏的状态。
Has established the bright high personality style, also by analogy is faithful friendship. This teapot is free from vulgarity and elegance, with a strong and rigorous shape, smooth and harmonious lines and rich Oriental art characteristics. It is a set of rare purple flower vase of gujingzhou, which is of high collection and investment value.
其画梅在技巧上参照了唐云的梅花图谱，理与趣相得益彰。融入其一生读书品味，逸情，文静中自有凛然，风骨铮铮，却又不失妩媚面影，更加有理、有力地诠释了顾景舟大师的花器观：”似像非象，亦幻亦真，传神切魄，且高山流水，了无雕凿痕迹而一派天然，真正达到了至高的梅境！“
Its painting plum in the skill referred to tang yun's plum flower map, the principle and interest complement each other. Into his life reading taste, ease, quiet in the juniors, character possessed, but do not break charm id, a more rational and effectively interpret the Gu Jingzhou master of flower view: "seems like like, is also true, vivid and cutting, and the mountain stream, no trace carving is natural, really reached the highest mei condition! "
下图为松题材的紫砂壶：
The following picture shows the purple sand kettle of pine theme:
下图为竹题材的紫砂壶：
The following picture shows a bamboo purple clay pot:
下图为梅题材的紫砂壶：
The following picture shows the purple sand kettle of plum theme:
紫砂壶具有较好的保温性和透气性能，用来泡茶，茶味醇芳，隔夜不馊。长期使用，壶内能保留余香，空壶内注入沸水，能散发出茶的香味，有“世间茶具称为首”之说。本品线条流畅，具有较高的欣赏及收藏价值。
Zisha teapot has better heat preservation and air permeability, used to make tea, tea flavor mellow, overnight does not sour. Long-term use, the pot can retain the remaining incense, the empty pot filled with boiling water, can send out the fragrance of tea, there is "the world tea set known as the head". This product has smooth lines and high value of appreciation and collection.
这把壶顾景舟制 吴湖帆书画 相明石瓢壶曾在2010年嘉德春拍12,320,000成交。
This pot, Gu Jing Zhou, made Wu Hufan's calligraphy and painting of the stone pits in 2010, when he made a 12320000 auction in the year of Jia De Chun.
顾景舟用毕生的精力对数百年的紫砂艺术发展史进行梳理，是紫砂文化的集大成者，其作品让世人充分领略了紫砂之精神、气质、神韵，代表了一个时代的高峰。著名艺术大师亚明曾经有评：“紫砂自明正德至今500余年，高手不过十余人。顾兄景舟当为近代大师。顾壶可见华夏之哲学精神、文学气息、绘画神韵。” 近两年来，顾景舟大师作品的市场成交屡创新高，为紫砂艺术品的价值认识树立了全新的标杆，艺术界、收藏界也因此对紫砂艺术的内在价值和市场空间有了全新的认识和更深刻的理解。
Gu Jingzhou spent his whole life combing the development history of purple sand art for hundreds of years, which is the epitome of purple sand culture. His works let the world fully appreciate the spirit, temperament and charm of purple sand and represent the peak of an era. The famous artist Ya Ming once commented: "Zisha since Ming Zhengde more than 500 years ago, more than a dozen masters. Gu brother Jing is the master of modern times.
Gu pot shows the spirit of Chinese philosophy, literary atmosphere and painting charm. In the past two years, the market of Master Gu Jingzhou's works has reached new heights, setting a new benchmark for understanding the value of purple sand artworks. Therefore, art circles and collection circles have a new understanding of the intrinsic value and market space of purple sand art.
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